Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably overcome known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming supple paintings show his strong interest in theatre and ballet, an interest, which was mayhap picked up while he studied with Claude Gillot who designed and designate to death scenery for the stage. Watteau was also heavily influenced by the work on of Peter-Paul Rubens who he often borrowed from in many of his works. In the old age 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims get in and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, line up in the Louvre, Paris. In this essay I aim to l and what Félibien thinks argon the criteria any painting must engender to become a good work of art, then to pass judgment how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The commencement ceremony point that Félibien makes is that the use of colour within a painting is extremely important.
Félibien says that there should be a proper operate of colours and a correct rendering of light and musical comedy note so as to endow the whole try with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but also dark at the akin time, universe ! brighter on the left and darker on the right, which forms a gratify contrast. The barge left side of the painting really reflects the sweetie of the beautify: the shimmering blue... If you want to get a full essay, mark it on our website:
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