Redesigning Women: Television After the Network Era

In her book of account, Redesigning Women: Television by and by the Network Era, Amanda Lotz explores the depiction of angiotensin converting enzyme female characters on video and what she titles the naked char. Published in 2006, Lotzs examination of the youthful charr is defined by many characteristics, including an emphasis on independence, successfulness, and dating. Now, almost ten age after Lotzs book was first published, the parvenue char can still be seen on television but with some notable evolutions. In recent years, the TV serial publication Girls and immense city fuddle premiered, giving voice to a completely innovative refreshed fair sex, whom I will call the red-hotest woman. In my examination of the newest woman I will orbit the pilot episodes of both tolerant urban tenderness and Girls to explore the new and old ways in which this newest woman has manifested. While this newest woman shares some characteristics with Lotzs new woman, she appears to be even younger, much sexually enlightened, and struggling more fully under the weight of her independence. In order to read this transformation, I will be comparing and contrasting tierce specific aspects of Lotzs new woman to the newest woman appoint in Girls and Broad City: her career or glide of independence and her sexuality.\nNew woman characters throughout television narrative primarily have been iodine girls, young women who seek jobs in the city prior to spousal (Lotz 88). The series Broad City and Girls share some similarities with this new woman: both shows center around a company of primarily single women in their twenties living in New York City. Thus, like Lotzs new woman, these single women also pursue lives within a metropolis setting. While unmarried, Lotzs new woman is visualised as a successfully independent career woman in her early thirty-something (90). In both Girls and Broad City, however, the newest woman differs from the new...